From: keyser72@mac.com Subject: Date: April 21, 2005 3:53:51 PM CDT Hankblog: October 2004

Sunday, October 31, 2004

New posts late tonight

I was out of town this weekend, and am going downtown to see the parade of costumes on 6th. But I'll have something up about a couple of my favorite monster movies later on this evening.

Happy Halloween, y'all!

Or maybe not. Got back from the walk, and was ready to crash. Will update with monster movies tomorrow.

Also testing something out to see if this photo thing works. Thanks all



Wednesday, October 27, 2004

Adaptations: The Hours


(editor's note: Previous looks at adaptations of books to film are at my old blog site. Go here and scroll to the bottom)

I remember when The Hours was released in 2002, the only things I knew about it were that there was supposed to be a serious downer, there were a lot of good performances in it, and that an awful lot of hoo ha had been made about Nicole Kidman sporting a fake nose in the movie to look more like the author Virginia Woolf, whom she was portraying (think I'm kidding? Check out this Google. 9,410 hits is an awful lot of nose picking). After seeing the movie with friends finally, I can safely say that paying attention to the nose Kidman was sporting is like missing the forest for the trees in a huge way.

The Hours follows three parallel story lines. In one, Nicole Kidman plays Woolf (a nice breakdown of Woolf's works can be found here), on the verge of completing her novel Mrs Dalloway. The troubled thoughts of the novel's title character reflect the burdened mind that Woolf herself is coping with, psychological problems that ultimately contributed to her suicide as I understand it correctly.

Relating to the troubles that lie beneath Dalloway's ordered world, Juliane Moore's character of Laura Brown is reading the novel in the second storyline. An American housewife in the 1950's, Brown appears to be living the American dream. She has a loving and attentive husband (John C. Reilly) and son, and is pregnant with another child to join their family. Nothing is as it seems in Laura's mind, however. An endeavor to bake a cake for her husband's birthday demonstrates that nothing is as simple in Laura's mind as it seems on the surface.

The third storyline focuses on Clarissa Vaughn (Meryl Streep), an editor who is struggling mightily to put together a dinner party for her dear friend Richard (Ed Harris). Richard is receiving an award for his contributions as a writer, but Richard feels that he's more likely being rewarded for having AIDS and surviving long enough to be recognized. The end is near for Richard, and he fights to get Clarissa to come to terms with his eventual departure, even as she tries to maintain a facade of control. The connection to the other two storylines seems faint at first, as the only apparent relation is Richard's pet name for Vaughn: Mrs. Dalloway, also inspired by the novel. It is as the three storylines work towards a denouement that the audience sees how deeply the connections run between the three women, and their struggles with their humanity.

As a film, I was struck by how much the film has to offer on a technical level. The editing that is done on the movie to bring each of the different storylines to the fore is really sharp, and helps give the movie a lot of its edge. In juggling such disparate storylines, it would be easy to get lost in the transition from one to the next. But between the editing, and strong direction from Steven Daldry, the perspective is always very clear, and lets you really focus on each of the characters and their role in the story.

And the characters are very complex and deeply drawn. Streep is an actress who I was never overly fond of for most of her career. But her turns here and in Adaptation gave me a much deeper appreciation for her as an actress. She seems a lot more human here, more real than in anything else I've seen her in.

Moore has always been an actress I liked and respected for doing some very challenging and unconventional roles. Boogie Nights, the film I first became aware of her in, has been running on cable quite a bit lately, and I'm always struck by how sad I find her character in that movie. There's an equal measure of sadness in this turn as well, but the motivations behind it are very different. When her dilemma came to the fore of her story, I really appreciated how it turned her whole world on its ear, making it seem less like an ideal or dream, and more like a perverse sort of nightmare. Laura is easily the character I most sympathized and identified with.

But the runaway performance of the movie goes to Kidman. Nicole Kidman has always been an exceptional actress to watch work, even when the material wasn't quite up to her level of performance. In this movie, she elevates her game another notch. All the fixation on the makeup and how she "uglied" herself for the role really very much misses the point of her turn. More than anything, Kidman's Woolf represented for me a woman very much trying to regain some kind of control over her own destiny, and maintain whatever dignity she has left in her life. There's a particularly impassioned exchange between Woolf and her husband Leonard at a train station:

Virginia Woolf : I'm dying in this town.
Leonard Woolf : If you were thinking clearly, Virginia, you would recall it was London that brought you low.
Virginia Woolf : If I were thinking clearly? If I were thinking clearly?
Leonard Woolf : We brought you to Richmond to give you peace.
Virginia Woolf : If I were thinking clearly, Leonard, I would tell you that I wrestle alone in the dark, in the deep dark, and that only I can know. Only I can understand my condition. You live with the threat, you tell me you live with the threat of my extinction. Leonard, I live with it too.


It's a sentiment I have read about a lot in regards to people with some kind of mental illness or degenerative condition. The loved ones/family members live in fear of losing the person they knew or loved, without understanding just how much more humiliating and maddening it must be to lose yourself from the inside out. I can't imagine what it must be like to live with a condition like that and I pray I never have to find out.

Kidman makes you feel the frustration Woolf had to have been experiencing in losing control of the one thing that most defined who she was to the world: the gifted mind that made her such a proficient writer. I respect every single thing she does to try and get that control back, even if the rest of the world that she interacts most directly with thinks less of her for those actions. It's a powerful performance, and it makes me wish Kidman had more opportunities like this one to really stretch herself as an actress.

Director Daldry, who had previously helmed arthouse and critical fave Billy Elliot, shows some amazing talent in this, his third feature. His collaboration with screenwriter Michael Chabon The Amazing Adventures of Cavalier & Clay due out next year is a film that I'm eagerly anticipating. Chabon (who wrote the novel The Wonder Boys, along with what I think was one of, if not the greatest super hero script of all time in Spider Man 2) collaborating with Daldry is a joining of talent that will make any movie geek worth his salt really excited. It should be something to see.

In any case, this work as it stands is an very strong, compelling dramatic effort. If you're looking for a story with some meat on its bones, you would be hard pressed to find a better choice than this one, particularly if you're looking for something with strong female characters to enjoy.

No live blogging of game 4.

A recent passion of mine if playing Texas Hold Em at several pubs and bars arounf town. I'll be playing tonight and watching the game. As a Yankees fan it pains me to say this but...

Go Sox!!

As long as we're talking about zombies...

Shaun gets a release on DVD on Dec 21 in the US, just in time for Christmas. Which leads to some silliness on my part. During an email conversation with the ex, I happened to mention that there's never been any zombie Christmas movie ever done, at least not any I've heard of. So I started brainstorming an idea for a zombie Christmas movie, in which Santa has to stave off an army of zombie elves. There was an idea for a scene ripping off Resident Evil, only instead of a zombie doberman, it would be a zombie reindeer about to stomp Santa flat. At which point Rudolph comes in and mows the zombie reindeer down with automatic weapons fire, with the catch phrase for the trailer "I got your reindeer games RIGHT HERE!" But I digress...

The point of mentioning this is that the ex and I came up with a couple of zombie Christmas carols that I wanted to share with you for your amusement. If you can come up with additional lyrics, please feel free to leave them in the comments.

Zombie Family Christmas (to the tune of O Tannenbaum) courtesy Brea and myself.

O Zombie Mom O Zombie Mom
Upon fresh brains you're dining
O Zombie Mom O Zombie Mom
Upon fresh brains you're dining
Your little brats, they used to bleat
But now they're all just zombie meat
O Zombie Mom O Zombie Mom
Upon fresh brains you're dining

O Zombie Dad O Zombie Dad
Across your lawn you're shuffling
O Zombie Dad O Zombie Dad
Across your lawn you're shuffling
Under your roof, you were the law
Now human flesh, you like it raw
O Zombie Dad O Zombie Dad
Across your lawn you're shuffling

Oh zombie son oh zombie son
Poor Rover you’ve dismembered
Oh zombie son oh zombie son
Poor Rover you’ve dismembered
He was man’s best friend but now
He’s just Purina zombie chow
Oh zombie son oh zombie son
Poor Rover you’ve dismembered.

I'm Dreaming of an Undead Christmas (one lyric, via Brea)


I’m dreaming of an Undead Christmas
Just like Romero used to know
Where the elves are zombies
Humans walking salamis
And the reindeer set fire traps in the snow.

I know we need help, but there's gotta be a market for it out there somewhere...

Movie Review: Shaun of the Dead (2004) Starring - Simon Pegg, Kate Ashfield, Nick Frost, Lucy Davis, Dylan Moran; Screenplay - Simon Pegg and Edgar Wright; Director - Edgar Wright; Rated R for language, violence and gore.

Intro
It's pretty unusual when you get a chance to see one of the funniest movies of the year, one of the scariest, and a pretty solid romance in one week. When someone manages to roll all three into one movie, that is something that I think merits talking about, and it's as good a subject as any to dive back into the world of blogging with.
What is Shaun of the Dead?
Simon Pegg is Shaun, and everyday bloke that you probably recognize, or maybe even emulate to some degree. He has a fairly mundane job working in an electronics store. He has a girlfriend named Liz (Kate Ashfield), who he's starting to have problems with. She's looking for some kind of direction for the future. All he wants is to work, get paid, and enjoy a few pints at the local pub with Liz, her friends Dianne and David (Lucy Davis and Dylan Moran), and his best friend Ed (Nick Frost). Liz decides to break things off when Shaun completely screws up plans for them to have a nice anniversary dinner. For Shaun it seems like things just couldn't possibly get any worse for him. But sometimes it takes adversity to bring out the best in a person.

Well, that and a whole lot of zombies.

Excuse me?
Shaun finds that the day after Liz breaks things off with him, London finds itself plagued by armies of the undead. He goes from trying to get his life together to trying to keep his and Ed's going. And somewhere in there, he has to rescue his mother and the woman he still loves and find someplace safe for all of them to wait out the undead apocalypse in.

Sounds positively absurd
And in a lot of respects, it kinda is. I mean, what do you expect from a movie that bills itself as a "romantic comedy with zombies" (check out the official website at romzom.com). Yet as crazy as this sounds, Shaun of the Dead manages to pull three completely different film genres, mash them all together, and produces a film that is coherent, thoroughly enjoyable, and one of the hidden gems of the year.

The romantic angle
Pegg's Shaun and Ashfield's Liz don't exhibit any real chemistry until the end of the movie, but that plays beautifully into the troubles they're having. Liz really needs to know if they have a future, and whether Shaun is the kind of man who can provide the future that she wants. Shaun's just a poor shlub who really just doesn't know what it is he wants out of life besides Liz.

He's not quite directionless enough to really be labeled a slacker, but even that illustrates that he's not quite committed to doing something all the way in the beginning. His friend Ed has clearly taken being a loser to an art form. Shaun hasn't even committed himself to going all the way to rock bottom. As the movie moves along and the audience sees Shaun try to find out what his direction really is, you can't help but be moved by how earnest he really is in trying to make the best of things. As he and Liz try to work through their issues in the midst of a zombie apocalypse, you see that there's a real genuine affection between them, one that's been born out of a long time together as a couple. You'll likely see a couple you've known that had issues and tried to work them out. It's a far more real love than anything I've seen in the latest Julia Roberts or J-Lo estrogen fest.

The zombie angle
The zombie aspect of the story is played up very nicely too. There's a part of me that almost wishes they had saved the movie's release for closer to Halloween, but I am glad to have it out at all (teasers for this movie have been bouncing around since March, and it's already out on DVD in the UK). The zombie threat is menacing the whole way through, even when it's being played for laughs. The makeup is good, and I particularly like the dead milky eyes they used. There's scenes where there seems to be moments of recognition between some of the zombies and the main characters, and it plays out a bit more disturbingly with the dead eye glare (a strange thing to latch onto, maybe, but it is something I thought about a lot, especially on a second viewing).

The gore is concentrated in bursts (no pun intended) that is fairly gross in its realism. I disturbed a friend after the second viewing with observation that a scene towards the end with the evisceration of one of the main characters was about as real as I could imagine that kind of violence looking, and being glad for that fact. But with so many filmmakers cheating the gore factor by using computers, it was nice to see some old school Hollywood special effects on display in all their bloody glory. This is especially nice given the sly references in the movie both to Romero's original Living Dead series, as well as more contemporary zombie counterpart 28 Days Later.

The comedy angle
But where this movie really hits hard on all cylinders is in the comedy aspect. It's not an exaggeration for me to say this is one of the funniest movies I have seen all year. Pegg in particular has a really deft gift at physical comedy. From a scene early in the film inside a convenience store, to the final showdown at the end, Pegg's Shaun has some truly inspired moments of physical comedy that had me not able to breathe, I was laughing so hard.

And the movie works well on a subtle level as well with its humor. From a very inspired opening credit sequence that shows that the world is closer to a zombie haven than we might care to admit, to musical choices that act as a final flourish to each joke, the filmmakers show in this movie that they respect all the genres they've crammed into this film, and make the most of playing them all up for laughs. I mean, for crying out loud, even the fart jokes it reaches for are a bit subtle. When was the last time you could really say that?

Undead End
By the time I got to the end of the film, I felt like this was one of those movies that gave me everything I had hoped for and more. It's a really tight piece of work that delivers more than you would expect from something that tries to do so many things at once. It does what it wants to do as well as any movie has this year. That makes it quite the Halloween treat.

Sorry for the delay
Blogger decided to spit up on me when I got home last night, so I couldn't finish the review I started at lunch. Shaun of the Dead is up, and I hope to have a take on The Hours later today. May also be live-blogging Game 4 of the World Series tonight for anyone interested. This could be history in the making, so I might as well watch it, even if it does bring me pain....

Tuesday, October 26, 2004

Back on the air

The blogroll will be back up this weekend. In the meantime, a review of some zombies for Halloween, and a chick flick that isn't. Drop any thoughts about the new template in the comments for this post.

Wednesday, October 20, 2004

Look for the return of Hankblog soon.

Changed the template to get a new look. Should be back in black tomorrow morning lamenting the miserable performance of my Yankees.